2020
Selección i proyecto premiado en el visionado de Portafolios
(Festival Internacional de fotografia analógica, Revela't 20)
Cartell de Sant Jordi a la UB (Universitat de Barcelona)
2019
Sense Títol (Universitat de Belles Arts, Barcelona)
Individu, del signe a l'absència (Muxart Espai d'Art i Creació Contemporanis, Martorell)
2018
Residència artística (666 Gallery, Köln)
2017
Homo et Natura (Galeria Pilar Ginés, festival Putearte, Zaragoza)
2015
Dame Fuego (La Pantera Rossa, Zaragoza)
Fragments (Muxart Espai d'Art i Creació Contemporanis, Martorell)
Vacío (Galeria Theseo, Barcelona)
2014
Branques mortes vesc (festival fineART, Igualada)
MaÁvCà (casa Orlandai, Barcelona)
2013
Unknown pleasures (festival Stripart Barcelona)
Homo et natura I, 2019
Marc Ávila establishes a pact with the landscape of his childhood: the river Llobregat - Barcelona. This visual pact offers us his roots from a peripheral environment
-Ismus
The strength of his landscapes is evidence of the indefinition of limits and the continuous expansion of urbanity. Thus, the tension between being human and progress is presented to us as a visual arrhythmia full of contradictions
is a cartography of the tension between the tangible and the immaterial, between the promise of the future and the erosion of the present.
Critical minerals float like fragments of an expanded geopolitics. These materials, essential to digital infrastructure, have not only transformed the terrestrial landscape but have also reshaped the ways we inhabit it
On this journey, the binary becomes a projection of our otherness turned into sign, where we confront the vision of our technological body. This transition has taken us from the organic to the algorithmic, from presence to automation.
Is an encounter with the other still possible, or must we accept that we are destined for an electronic synapse?